My idea for a Pet Sematary Little Golden Book. You know, for kids!

Sometimes I get an idea that’s too much fun not to do. In this case, it was a Little Golden Book adaptation of Stephen King’s IT. I took the character designs from the new film. I’d be very interested to work on a G-rated version of that story, if only for the creative challenge.

I drew the Beatles in honor of Abbey Road’s 50th anniversary. Each has a lyric they wrote, or in the case of Ringo, the drum solo in The End.

The first famous person I ever saw at ComicCon was Lee Salem. It was my first year attending that convention, before I even had a table. One of my early stops was to the Universal Press Syndicate booth. To my complete shock I saw the man himself, talking with a few other editors. I approached him with the awe appropriate to kings and religious figures, and I think he was baffled by this young man’s recognition. I shook his hand, mumbled something about how great it was to meet him, then moved on. That moment stands as one of my all-time ComicCon highlights (and I’ve met the voice of SpongeBob).

As longtime readers of this here blog know, I wanted to be a newspaper cartoonist since I was a kid. Calvin and Hobbes has been my guiding light since around age 10. Through that strip, I’ve learned just about everything I know about making good comics. Of course there have been others, but Watterson’s work has become so ingrained I believe you can see some of the jokes written in my DNA.

At some point I learned that Lee Salem was Bill Watterson’s editor. I later learned he edited many of the greatest comics to ever grace the pages of newspapers. This was a man I needed to know. As any good writer knows, they are only as good as their editor (Salem’s suggestion on an early submission from Watterson, to focus on the younger brother of the main character, led to the creation of Calvin and Hobbes). When I was old enough to submit comics to syndicates, my first letter was always addressed to Mr. Lee Salem.

Though I never got to work with him (he was promoted to President of Universal Press Syndicate before his retirement) his legacy left a lasting impression on me.

It feels strange to miss a man whose work was, for the most part, invisible. He helped innumerable cartoonists be funnier. He led the industry to give creators more rights. He was president of a comics syndicate during a time of great uncertainty and change. He did all these things well. I am sorry to hear that he is no longer with us. I am grateful for the good work he did.

In my ongoing effort to create coloring pages for every character LQ requests, I have made a Finding Dory scene (LQ, when asked which characters she wanted, said “Dory, Nemo, Marlin, and that’s it”).

I also made a autumn scene with a tree and all the animals who depend on it, from the book Tree, by Britta Teckentrup. If you haven’t seen her books yet, you are in for a treat. They definitely reward repeat readings.