Posts Tagged ‘wondercon’


meet me in anaheim

 Wondercon bannerHey, what are you doing this weekend? Are you going to WonderCon?
We should totally hang out. I’ll be in the Small Press section, table 88.
Stop by when you’re sick of Mickey and Donald.wondercon-floorplan


WonderCon 2014

As my plane descended, I looked out at the layer of smog over Anaheim. Although I am not repelled by Los Angeles as many of my friends are, I found this view to be somewhat disconcerting. My first two conventions of the year, Emerald City in Seattle and Linework NW in Portland, were surrounded by the colors green and blue. WonderCon would be set in my mind as brown and tan.
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Coming from the southwest, these are not necessarily bad color associations. I consider the desert to be a clean place. Even though I’ve lived in Portland for eight years, I still find the lush environment to be strange, alien. You don’t have to fight for life in the Pacific Northwest. In the desert, everything is hard-won.

That turned out to be a metaphor for the convention itself. There was no shortage of attendees (I later read that WonderCon sold out of badges), but sales were not correspondingly high. It was a good show for me saleswise, but not stellar. In the desert, life is hard-won.
anaheim-convention-center-setup anaheim-convention-center-batman calligraphy4 calligraphy3 calligraphy2 calligraphy1 When I work harder for each sale, it makes me appreciate the connection with the reader. Somehow, in the midst of the hubbub and hullaballoo of a large convention center, in the shadow of Disneyland, people told me that my books were terrific. That counts as a minor miracle, I think.
anaheim-convention-center josh-at-wonderconThe best part of the convention was spending time with cartoonists. Alec and Greg and I ate at a Hawaiian restaurant, where we talked about how few people Alec wants to see on Facebook (about ten) and how many cats I’ve seen on my rides home (up to eight). Kevin Woody took me to Downtown Disney since I didn’t go into the park itself. “Have you heard of Downtown Disney?” I asked. “I live in Southern California. I’ve heard of Downtown Disney,” he replied. He advised me not to get into the cult of pin-trading.

I also met a guy who works at Warner Bros. He asked me to do a little signmaking in exchange for DVDs. My first work for Warner Bros. was this sign, advertising the guy who wrote Die Hard:
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In Portland, you meet graphic designers, web designers, baristas, and guys like me who do whatever pays the bills and ends at 5. In Anaheim, I met people who work for Disney, Sony, Paramount, and Universal animation departments. I tried my best not to say the words gosh, golly, or gee-willikers, but I think they could read the expression on my face.

I’m not entirely sure if I’ll return to WonderCon next year. It was certainly a well-run show, and I got a good experience out of it. Maybe it was that layer of smog sitting over everything. If Disney can find a way to lift that cloud, I’ll definitely be back.
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south of disneyland

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This weekend I’ll be at WonderCon in beautiful Anaheim, California. If you’re not going to Disneyland this weekend, come see me! I will have the brand new Falling Rock #5, the first all-Pam issue! They moved everybody around this year, so here’s a handy map to find me among the Donald Duck impersonators.
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wondercon 2015

I knew I was back in Anaheim because of the warm sun and the endless parking lots.
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WonderCon is a great convention because I see different people (both behind the tables and in attendance) than in any of my other shows. The con itself feels like a more manageable version of San Diego. Instead of a marathon, it’s a 10K. And it’s right beside Disneyland, so we get some spillover happiness.

This year I was happy to loan table space to Warner Archives for part of the day Saturday.
It is a testament to the open-mindedness of convention goers that they accepted without question our oddly-matched table.
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I was incredibly lucky with my placement this year. Rarely do I get to know all my neighbors at a con, but my row was chock full of friendly, talented people. If they felt a self-publishing cartoonist was out of place among the animators and illustrators, they didn’t show it.

Elsa Chang and Tuna Bora

Elsa Chang and Tuna Bora

After the show Sunday, I made my way to Disneyland and California Adventure. The last time I visited was in high school, but I found I remembered quite a bit. I mostly wandered the parks, going on a few classic rides (Pirates of the Caribbean, Haunted Mansion, Indiana Jones). I had dinner at Carthay Circle, a converted movie theater. Through fate or just blind chance I sat next to a few fellow convention exhibitors. Apparently I was not the only one with the brilliant idea of going to the park after the con ended.
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WonderCon is an interesting show for me because of the involvement of the aforementioned animation industry people. In the Pacific Northwest, there are mainly self-publishing cartoonists such as myself. In Southern California, I’m more of an anomaly. It’s good to have a bit of both experiences, I think. I learn a lot from each crowd.
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issue 6 HAS ARRIVED

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Faithful Falling Rockers, the long wait is over. Falling Rock National Park #6 is back from the printer and it looks fantastic. I love the look and feel of the paper. It makes the experience of reading this story even more enjoyable, I believe. Paper and ink! The way comics were meant to be consumed.

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How can you acquire this latest trip to the American Southwest? Right here on my website, or next week at WonderCon! I will be in the Small Press section, table 93. Beyond that, I hope to get this issue into the fine local comic shops in Portland.

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I can’t wait for you to read this issue. I can honestly say I am very proud of it.interior-6-2


WonderCon, VanCAF, CAKE 2016

Although I still have a great time at every comic convention, I find myself with less and less to say about each. This year I’m grouping my first three shows in a single, easily-digested post. This is not to diminish my experience at each. If you met me at one of these shows, you saw that I was excited to be there. It really is a thrill each and every time. There’s the first hour of increasing worry that this will be the first show at which nobody buys anything from me. Then there’s the lunch rush. Then, from maybe 1-3pm, is when I get my most sales. I have to say, there is no caffeine as effective as selling my comics. It is a feeling that never gets old. For the rest of the afternoon I’m passing out postcards and trying to remain upbeat and engaged. By the end of the day I’m exhausted. I’ve been talking to my neighbors a bit more and looking forward to dinner. The close of the day is a mixed emotion: I’m thinking back over all the funny, interesting conversations I’ve had, ready to not be on my feet anymore, but also a bit sad to see it over. Fortunately, there is always another day and another show. So here’s to the first three of the year, and to San Diego coming in July.
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