I noticed, after I chose this photo, that there is a little rainbow effect on the right. Ernesto now stands at the end of the rainbow.
I wish that Sundays were twice as long as every other day. You really need more time to prepare for the upcoming week, mentally and physically. You need to enjoy your Sunday funnies, have your breakfast of choice, lounge around in your pajamas until a little after noon. Then you need to fit in all the errands you never got around to all week. Then you should have some free time. That’s what weekends are for, right? Then a nice dinner and some time in the evening. There is too much cramming if you want a Sunday done right. If elected President, I promise to make Sunday last until midnight on Monday.
Since Falling Rock doesn’t run on Sunday, I am deprived of the fun of coloring a comic strip once a week. I wanted to see what it would look like in full color. Since it takes place in the desert, I used a piece of brown paper to wash the whole thing out and give it that dusty, windblown look.
I don’t know how well this would reprint in a newspaper – would the natural gray grains of the page cancel out the effect I’m going for? Or would they heighten it and make it look instantly antique? I guess I won’t find out until one of the syndicates decides to take a shot on a comic strip that isn’t Garfield. In the meantime, I may try to color one strip a week and post it here on Sundays, just for the heck of it. It’ll give me practice for The Show, as they call it.
As an international cartoonist celebrity, I receive literally thousands of fan questions a day. I’m chin-deep in letters, emails, faxes, telegrams, boxes of homemade cookies and cashier’s checks. Well, not really checks.
I put up some new designs in my Cafe Press shop! Hurray for consumerism!
Be sure to check the link to your right or just click right here.
Hope you all had a great Thanksgiving. I’ll be back with some robots for Robot Friday.
Comic strip characters are known for their stability, and yet they are constantly changing.Calvin wears the same striped shirt every day; Snoopy sits on the same doghouse. But if you take examples from early in a strip’s run compared to years later, you’ll find striking differences. When first seen, Snoopy’s snout is much narrower than in later years. Calvin in 1985 is much more flat-looking than his 1995 counterpart. It takes a while for a cartoonist to get to know his or her characters. The characters look the way the cartoonist wants them to, but that vision is always being refined. I would call it a distillation, but cartoon characters are already distilled from real life. I’ll call it Super Concentration. The 1995 Calvin (sounds like I’m describing a car model) is what Bill Watterson was aiming at all along.
The interesting part is, I would say that the 1992 Calvin is what Bill Watterson was aiming at up to 1992, and the 1988 Calvin was what he was aiming at up to then as well. So, the most current drawing of the character is the most essential drawing done yet, only to be supplanted by the next drawing. At least, this is my theory.
When I began drawing my characters for Welcome to Falling Rock National Park, they hardly resembled the characters they are today. Their personalities weren’t focused, and so my drawings really didn’t get to the essential Ernestoness of Ernesto. I did my first drawings a few years before I actually started the strip (I did a comic strip called The Family Monster for four years before I started Falling Rock in the Fall of 2006).
Ernesto, in the beginning, had a differently-shaped head.His eyes were smaller, and his shoes were but little blobs at the end of his legs.I’ll be the first to admit that I’m still not happy with Ernesto’s shoes.It’s a work in progress.You can see the progression in the two pictures I’m posting; one from 2005 (from my sketchbook) and one from this year.Now that I’ve had time (and about 200 comics) to understand him better, I know more of the subtleties of Ernesto’s personalities. I can also draw him better.
Every new batch of comics I draw, I feel it has improved on the last batch. I’m always trying to better my drawings, but when the characters look on the page closer to the way they look in my brain, I consider that a victory.
Do all cartoonists see it this way? I imagine that for those who use assistants or have their kids carry on the strip, there is a push to keep a character’s look static, the same way a retiring CEO would want to see his company going down the same path he set out for it. It’s also easier to have character models (like they use in animation) when there is more than one set of hands at the drawing board. The less room for interpretation, the less chance of messing up a lucrative property.
For those noble few who draw the same character day after day, decade after decade, I imagine there comes a point where they know what they want and exactly how to create it. For me, that time has not come. In some ways that is frustrating – I always want to make it look better! But I enjoy the process. In a couple of years, check back to my early Ernesto. I’m sure he will look strange to you.