Archive for March 3rd, 2010



a good year for animation

coraline-theater2009 was an especially good year for animated movies. Live-action movies, about normal. A few good ones, mostly crap. But the cartoons really knocked it out of the park.

The four Animated Features up for the Academy Award this Sunday are: Coraline, Fantastic Mr. Fox, The Princess and the Frog, The Secret of Kells, and Up. Up is also nominated for Best Picture.

Coraline (made right here in Portland, Oregon) opened in February. Coraline has my vote for best animated feature. Its use of stop-motion filming is by far the best I’ve seen, ever. If Wallace and Gromit made stop-motion a viable art form again (and don’t forget their latest adventure is up for Best Animated Short Film), and Nightmare Before Christmas made it viable for feature-length films, then Coraline is the end result of this new resurgence. Every set is beautiful, every character full of life. Add to this the fact that they filmed it in 3D, allowing you to see the sets in all their glory, and you’ve got a true masterpiece. Coraline is a work of art, and fun to watch.

I also loved Fantastic Mr. Fox. Filmed with stop-motion animation, Wes Anderson made what may be his best movie yet. Here’s one good example (the first?) of using famous actors for voice work. George Clooney and Meryl Streep put in fine performances as Mr. and Mrs. Fox, and Jason Schwartzman really shines as Ash, the Fox’s under-appreciated son. But Wes Anderson is no animator. He basically had a good idea and got very talented people to put it together for him. And though I truly enjoyed the animation, it wasn’t groundbreaking.

I haven’t seen The Princess and the Frog or Secret of Kells. What I will say is, I’m glad none of the crap Dreamworks routinely tosses into theaters made it into this award category. I don’t know of an animation company that hates children as much as Dreamworks. Their cartoons are an affront to everything that is good in this country. They even make me question the good name of Steven Spielberg. Why would he be associated with this smut?

Finally, Up. Up should not win Best Animated Feature. Up should win Best Picture, for which it is also nominated. Nowhere else on the cinematic landscape of 2009 will you find such interesting characters or engrossing plot. A completely perfect viewing experience. Up defines what makes movies great. Like Wall-E in 2008, Up shows everybody that cartoons can tell a story better than live-action. I’m just going to put this out there: cartoons are cool.